Every year we're told real music is in crisis. Even that it's dying.
And every December when Uncut compiles its Best Of TheYear list, we
invariably find there are more great records than we can shoehorn into
our chart. Thisyear we thought we'd use the halfway point in the
calendar to take a status check. And, already, 2004 looks like another
annus mirabilis.
Franz Ferdinand and Delays have already given us two classic debut
albums of British guitar rock. From America, Blanche and The Shins
look set to excite us for years to come while Richmond Fontaine, who
have been around a while but had previously escaped our radar, are the
year's discovery to date.
Reliable favourites such as Lambchop and Grant-Lee Phillips have made
albums to stand alongside their very best work, and in Laura Veirs we
have found a singer-songwriter brilliantly hitting her stride on her
fourth album. Major record companies who sign and drop acts like
they're disposable candy wrappings, take note.
Among the veterans, Dylan, Springsteen and Neil Young have so far been
quiet. ButTodd Rundgren has returned with his best album in 25 years.
And there's not much wrong with a music scene that can still find room
for a left-field maverick like Tom Russell, who has been gloriously
ignoring the vagaries of musical fad and fashion for 20 years.
lt's been a busy and productive time in the worid of reissues, too.
Out of nowhere has come a forgotten 1975 gem from John Howard that had
never previously been available on CD. Mike Scott has been back to the
original tapes of The Waterboys' l985 classic This Is The Sea and come
up with an extra disc of previously unreleased material. And the
maverick talent of Arthur Russell has been recognised with a belated
release for the album he was working on when he died in 1992.
And there's still another six months of the year to go, with albums
due from the likes of Jesse Malin, Wilco, R.E.M. and U2. Crisis? What
crisis? UNCUT